媒介策动——《良友》游记专栏中的“纪游摄影”及其现代性观看  

Media Strategy:"Travel Photography"in the Travel Notes Column of the Young Companion and its Modernity

作　　者：郭峙含 Guo Zhihan(School of Arts and Humanities,Sichuan Fine Arts Institute)

机构地区：[1]四川美术学院艺术人文学院

出　　处：《美术》2024年第9期74-83,共10页Art Magazine

基　　金：2024年重庆市教委人文社会科学研究项目“重庆抗战时期地景摄影的史料整理与研究”(项目编号:24SKGH207)的阶段性研究成果。

摘　　要：在旅行救国观念的影响下,“纪游摄影”这一特殊的旅行书写方式逐渐成为20世纪30年代以来“想象旅行”的重要载体。《良友》画报通过游记专栏这一形式对纪游摄影进行采集、存储、编排与传播,让旅行经验在不同的书写形式中被想象与消费,也让纪游摄影成为旅行书写中主导人类文化记忆的独特体裁。本文从报刊媒介的书写中追溯纪游摄影产生的背景,以20世纪30年代《良友》画报的游记专栏为切口,分析游记专栏中纪游摄影的深度媒介化及其所建构的知识图景,并在隐匿的书写中揭示纪游摄影的现代性观看。Under the influence of the idea"saving the country through travel","travel photography",a special type of travel notes,has gradually become an important carrier of"travel in imagination"since the 1930s.The Young Companion collected,stored,compiled and spread travel photography in its travel notes column,allowing travel experience to be imagined and consumed in different forms and making it a unique type of travel notes that influenced people's cultural memory.This article traces how travel photography emerged from newspapers and periodicals.Taking the travel notes column of the Young Companion in the 1930s as an entry point,it analyzes the role of travel photography as media and the knowledge structure it has built,and discusses the modern appreciation of travel photography as a hidden form of travel notes.

关 键 词：纪游摄影 良友 媒介再现 现代性观看 

分 类 号：J405[艺术—摄影艺术] G206[文化科学—传播学]