从传统向现代的转换——论黑伯龙山水画的史学意义  

The Shift from Tradition to Modernity:On the Historical Significance of Hei Bolong's Landscape Paintings

作　　者：周宗亚[1] Zhou Zongya(Qilu Normal University)

机构地区：[1]齐鲁师范学院

出　　处：《美术》2024年第9期143-145,共3页Art Magazine

摘　　要：黑伯龙是一位深受齐鲁文化浸染的现代山水画家,他在坚守中国画传统的同时兼容并蓄、化古为新,在面向自然的写生、创作和探索中,黑伯龙逐渐形成了雄秀兼得、朴茂高逸且极具现代审美特征的绘画风貌。同时,他还是一位德艺双馨的美术教育者,培养了一批享誉中国画坛的杰出艺术家。Hei Bolong,a modern landscape painter deeply influenced by Qilu culture,adopts an inclusive attitude and develops new techniques out of ancient techniques while following the traditions of the Chinese painting.In his sketching,creation and exploration of nature,Hei Bolong has gradually formed a majestic but delicate,simple but elegant painting style with modern aesthetic characteristics.He is also an art educator of both moral and artistic stature,and has cultivated a number of outstanding artists who enjoy a good reputation in China's fine arts circle.

关 键 词：黑伯龙 山水画 齐鲁文化 艺术革新 

分 类 号：J212[艺术—美术]