先于经验的单纯  

Simplicity Before Experience

作　　者：王珊[1] Wang Shan(Harbin Normal University)

机构地区：[1]哈尔滨师范大学

出　　处：《美术》2024年第9期152-154,共3页Art Magazine

摘　　要：绘画是在尊重现实的前提下进行情感表达,人物画则强调在人物关系中寻求社会观察。笔者的水墨人物画常以少数民族和偏远山区百姓为题材,试图用水墨固有的质感和纹理回归生活的本真,召唤脑海中的纯真童年,从而将情感浓度和视觉力量淋漓尽致地展现,表达深层的文化记忆和历史想象。Painting expresses emotions on the basis of respecting reality,whereas figure painting emphasizes social observation in the relationship of figures.The author always takes ethnic minority groups and people living in remote mountainous areas as themes of ink figure paintings,and tries to return to real life and recall childhood with the inherent texture of ink,so as to fully demonstrate deep emotions,visual power,cultural memory and historical imagination.

关 键 词：人物画 笔墨 题材 文化记忆 

分 类 号：J212[艺术—美术]