曹氏归义军时期莫高窟中心佛坛窟空间设计特征探析  

An Analysis of the Spatial Design Features of Mogao Grottoes’Central Buddhist Altar Grotto during the Cao's Guiyijun Regime

作　　者：吴国源[1] 余水旸 WU Guoyuan;YU Shuiyang

机构地区：[1]西安建筑科技大学建筑学院,西安710055

出　　处：《建筑学报》2024年第8期109-115,共7页Architectural Journal

基　　金：国家社会科学基金重点项目(19AZD030);教育部人文社科研究项目(22YJC760065)。

摘　　要：明确了空间设计及其宗教文化意义是莫高窟建筑研究的核心与发展趋向,其中曹氏归义军时期典型的中心佛坛窟具有鲜明的设计规律与类型特征。把握这一时期营建历史、空间分布的基础内容,进而通过空间信息数据分析、空间界面构图分析、像设空间图解分析,分别探讨其空间设计要素与控制模数、界面装饰所达成的宗教文化图式、佛坛与像设空间构成方式及其宗教礼拜行为特征。The spatial design and the significance of religious culture are the core and development trend of Mogao Grottoes'architectural research.The Central Buddhist Altar Grotto is the most typical type of grotto space during the Cao's Guiyijun regime of the Mogao Grottoes.Sifting the basic content of the construction history and spatial distribution of the grottoes.in this period,in combination with the spatial information data analysis,spatial interface composition analysis and statue arrangement diagram analysis,this paper discusses in a row the spatial design elements and control modulus,the religious cultural schema caused by interface decoration,the spatial composition of Buddhist altar and statues,and the features of religious worshipping behavior.

关 键 词：空间设计 空间类型 曹氏归义军时期 中心佛坛窟 

分 类 号：TU-86[艺术—艺术设计]