论毕飞宇长篇小说《推拿》的叙事结构  

On the Narrative Structure of Bi Fei-yu’s Novel Massage

作　　者：韩嘉璐 于文夫[1] HAN Jia-lu;YU Wen-fu(College of Literature,Northeast Normal University,Changchun Jilin 130024,China)

机构地区：[1]东北师范大学文学院,吉林长春130024

出　　处：《齐齐哈尔大学学报（哲学社会科学版）》2024年第9期100-103,共4页Journal of Qiqihar University(Philosophy & Social Science Edition)

摘　　要：毕飞宇巧执传承之笔,在吸取中国古典小说缀段性叙事结构精粹的基础上,将缀段性叙事结构推陈出新。长篇小说《推拿》的前十二章以人为主,后十章以事为主,结构各部分之间具有非同位性、非同质性、双构性,《推拿》的叙事结构暗含着丰富的隐义,形成了小说的叙事张力。毕飞宇通过赋予人物、事件以特定的意义达致结构的完整统一,传达出黑暗世界的丰饶感。Bi Feiyu skillfully sticks to the pen of inheritance,he innovates this narrative structure on the basis of absorbing the essence of the narrative structure of paragraphing in classical Chinese novels.In Massage,the first twelve chapters of the novel Massage are dominated by people,and the last ten chapters are dominated by events,with non-simultaneity,non-homogeneity,and bi-construction between the various parts of the structure,which implies rich hidden meanings,thus the novel narrative tension is formed.Bi Feiyu conveying a sense of abundance in the dark world,through a complete unity of structure by endowing characters and events with specific meanings.

关 键 词：《推拿》 毕飞宇 缀段性叙事结构 

分 类 号：I207.42[文学—中国文学]