齐尔品钢琴作品Op.52创作特点与演奏方法分析  

Analysis of the Creative Characteristics and Performance Methods of Piano Works Op.52 by Tcherepnin

作　　者：崔秀峰[1] CUI Xiu-feng(Piano Department,Shenyang Conservatory of Music,Shenyang Liaoning 110818,China)

机构地区：[1]沈阳音乐学院钢琴系,辽宁沈阳110818

出　　处：《齐齐哈尔大学学报（哲学社会科学版）》2024年第9期132-135,共4页Journal of Qiqihar University(Philosophy & Social Science Edition)

摘　　要：亚历山大·齐尔品是传承民族音乐理念的践行者,他主张中国音乐必须要保留民族元素,作曲者要热爱民族音乐、传承民族风格,这一理论影响了处于萌芽状态的众多中国青年音乐家。Op.52是他1934-1936年间创作的一部最具有中国音乐代表性的小型钢琴套曲,立意深远、技法独特,试图帮助中国作曲家植根于本土文化,运用西方作曲技法创作中国钢琴音乐。Alexander Tcherepnin is a practitioner of the concept of inheritance of national music.He argues that Chinese music must retain national elements,and composers must love national music and inherit national style.Op.52 is one of the most representative small piano sets of Chinese music composed between 1934 and 1936,with profound ideas and unique techniques,helps Chinese composers rooted in local culture and uses Western composition techniques to create Chinese piano music.

关 键 词：亚历山大·齐尔品 钢琴演奏 创作特点 演奏技巧 

分 类 号：J624.1[艺术—音乐]