“一带一路”背景下中国与东盟舞蹈审美共同体研究  

A Study on Shared Dance Aesthetics Between China and ASEAN Under the Background of“the Belt and Road Initiative”

作　　者：韦思 WEI Si(College of Philosophy,Nankai University,Tianjin 300350,China)

机构地区：[1]南开大学哲学院,天津300350

出　　处：《太原师范学院学报（社会科学版）》2024年第3期84-89,共6页Journal of Taiyuan Normal University:Social Science Edition

摘　　要：“一带一路”倡议既为中国与东盟各国经济建设提供了重要契机,同时也促进了中国-东盟文化艺术互融互渗、多元发展。中国-东盟舞蹈作为从中国和东南亚地区衍生出的艺术形式,与“一带一路”存在着紧密联系。中国与东盟舞蹈审美共同体的叙事话语突出了中国-东盟在舞蹈领域的跨文化交流与互鉴,强调了双方舞蹈文化的共通性和互补性,巧妙结合了传统舞蹈元素与现代审美理念。中国与东盟舞蹈审美共同体反映了中国-东盟跨文化理解与共生共荣的精神内涵,以及从个体到群体、从思维到造型的嬗变。在中国与东盟舞蹈审美共同体中,强调身体媒介对舞蹈形式与意蕴传播的重要性,透过身体媒介,可以窥见中国-东盟舞蹈颇多相似相通之处。The Belt and Road Initiative not only provides an important opportunity for the economic construction of China and ASEAN countries,but also promotes the mutual integration,infiltration and diversified development of culture and art between China and ASEAN.China-ASEAN Dance,as an art form born in China and Southeast Asia,is closely related to“the Belt and Road”.The narrative discourse of China and ASEAN dance aesthetic community highlights the cross-cultural exchange and mutual learning between China and ASEAN in the field of dance,emphasizes the commonality and complementarity of the dance cultures of both sides,and skillfully combines traditional dance elements with modern aesthetic concepts.The dance aesthetic community between China and ASEAN reflects the cross-cultural understanding between China and ASEAN and the cultural connotation of common prosperity,and the evolution from individual to group,from thinking to modeling.In the dance aesthetic community between China and ASEAN,the importance of body media to the spread of dance form and meaning is emphasized.Through body media,we can see many similarities between China and ASEAN dances.

关 键 词：一带一路 中国-东盟 舞蹈审美共同体 

分 类 号：G125[文化科学] J7[艺术—舞蹈]