似是而非的“归平”:从善化寺三圣殿1934年斗栱测图谈起  

Plausible but Untrue‘Guiping(归平)':Reviewing with the Survey Drawings of Dougong of Sansheng Hall in Shanhua Temple in 1934

作　　者：赵寿堂[1] 刘畅[1] Zhao Shoutang;Liu Chang

机构地区：[1]清华大学建筑学院

出　　处：《故宫博物院院刊》2024年第8期4-19,155,共17页Palace Museum Journal

基　　金：国家社会科学基金重大项目“《营造法式》研究与注疏”(项目编号:17ZDA185);清华大学自主课题《营造法式》与宋辽金建筑案例研究(项目编号:2017THZWYX05)资助。

摘　　要：山西省大同市善化寺三圣殿是重要的金代早期木构遗存,也是研究宋辽金时期北方地区木构建筑营造技艺和匠作谱系的重要实例,其单杪双下昂六铺作斗栱尤为稀珍。作者重读1934年测图,注重观察、测量实物,在分析大木尺度的路径中,下昂造斗栱似是而非的归平设计得以浮现。本次成果为后续进一步展开匠作示踪研究积累了重要数据。As a major timber building of the early Jin dynasty,the Sansheng Hall of the Shanhua Temple in Datong of Shanxi Province survives as a case in point significant for the study of the genealogy of craftsmanship and techniques applied to the historical timber architecture in the northern China over the Song,Liao and Jin dynasties,especially the rare Six-Puzuo Dougong(Brackets)with single Miao(秒)and double Xia'ang(下昂)it adopted.This thesis demonstrates such skillful-designed components by the survey drawings of the Dougong(Brackets)of Sansheng Hall together with field survey and measurement,gathering the data much informatively valuable for tracing the craftsmanship in the follow-up researches.

关 键 词：善化寺三圣殿 尺度设计 斗栱制度 下昂造 匠作示踪 

分 类 号：K878.6[历史地理—考古学及博物馆学]