再论宋代中原北方地区墓葬孝行题材的流行  

A More Analysis on the Filial Piety Themed Tombs Prevalent in the Northern Central Plains in the Song Dynasty

作　　者：张保卿 Zhang Baoqing

机构地区：[1]北京师范大学历史学院

出　　处：《故宫博物院院刊》2024年第8期118-129,158,159,共14页Palace Museum Journal

基　　金：国家社会科学基金青年项目资助(项目编号:23CKG023)。

摘　　要：孝文化是中国古代政权和民族文化认同的核心理念之一。孝行图是宋代中原北方地区墓葬中的经典题材,其发展历程可分为三个阶段。在11世纪80年代,该题材呈现出突然增加的态势,晋东南地区是其出现较早、数量较多的区域,政治推动社会对孝道的关注及区域文化因素是其在该地区流行的重要原因。一方面,北宋英宗时的“濮议”、神宗时的“李定匿丧”与“朱寿昌寻母”等事件将孝文化的传播推向高潮,其背后则是复杂的政治与礼制之争。另一方面,晋东南地区自宋代以来便尤为推重教化,为地方孝文化的发展提供导向。此区域宋代墓葬形制与河北、河南地区的传统模式亦不尽相同,其在壁面装饰上的创新性也推动了墓葬孝行题材的出现和流行。The filial piety culture is among the core ideas on political power and national cultural identity of ancient China.The filial piety themed illustration as the classic subject in the tombs in the Northern Central Plains of the Song Dynasty went through three stages in evolution,spreading suddenly and rapidly in the 1o8os,first appearing in large number in southeast Shanxi in the context of the political factors and the regional culture,which promoted the prevalence of the flial piety culture.The climax to the dissemination of the filial piety culture came with the incidents of the‘Pu Argument'("濮议")in Emperor Yingzong period,the‘Li Ding Concealing Funeral'("李定匿丧")and‘Zhu Shouchang Looking for His Mother'("朱寿昌寻母")in Emperor Shenzong period of the Northern-Song Dynasty,but it actually reflects the complication of the conflict between politics and ritual system.The moral preaching has always been stressed in the southeast Shanxi since the Song Dynasty,which was leading the development of the filial piety culture locally.There are the tombs with the creative illustrations different from those of Hebei and Henan in style,which contributes to the spread of the flial piety in a way.

关 键 词：宋代 孝行题材 墓葬 晋东南 

分 类 号：K878.8[历史地理—考古学及博物馆学] K244[历史地理—历史学]