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作 者:苏婕 Jie Su(Law School of Southwest University of Science and Technology,Mianyang Sichuan)
机构地区:[1]西南科技大学法学院,四川绵阳
出 处:《法学(汉斯)》2024年第8期5093-5100,共8页Open Journal of Legal Science
摘 要:长时间以来,我国《著作权法》(2020修正)第六条一直处于沉睡状态。激活该条款的关键在于“厘定民间文学艺术作品的著作权主体”。民间文学艺术作品著作权主体认定标准可以界定为“以集体为原则,以国家为补充”。在此基础上,通过理论结合案例可以对民间文学艺术作品著作权主体进行学理和立法层面的进一步厘定。将权利主体明确界定为集体,则可以强制要求传承人、整理者、二次创作者标明作品来源,以明确其创作中应当履行的义务。由此,既能增强集体的权利主体意识,也有利于营造尊重和保护民间文学艺术作品的社会氛围。For a long time,Article 6 of our Copyright Law(amended in 2020)has been dormant.The key to activating this provision lies in“determining the subject of the copyright of folk literature and art works”.The criteria for determining the subject of copyright for folk literature and art works can be defined as“collective principle,supplemented by the state”.On this basis,through theories and cases,we can further define the subject of the copyright of folk literature and art works at the level of theory and legislation.The main body of the right is clearly defined as a collective,can be mandatory for inheritors,organizers,secondary creators to indicate the source of the work,in or-der to clarify the obligations that should be fulfilled in its creation.As a result,it can not only en-hance the collective awareness of the subject of rights,but also help to create a social atmosphere of respect and protection of folk literature and art works.
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