《钱注杜诗》整理刍议  

On the Collation of Qian’s Annotations on Du Fu’s Poems

作　　者：曾祥波[1] Zeng Xiangbo

机构地区：[1]中国人民大学文学院,100872

出　　处：《杜甫研究学刊》2024年第3期12-20,共9页Journal of Du fu Studies

基　　金：2022年度国家社科基金一般项目“《钱注杜诗》疏证与研究”(22BZW064)阶段性成果。

摘　　要：《钱注杜诗》一向被认为是清代“集大成”杜诗注的源头与最具原创性的注本。比对宋注与钱注,发现钱注承袭宋注的内容占全书百分之七十以上,在观点原创性上超出宋注的内容不多;受文献搜集的限制,钱注未能全面掌握宋注,且对宋注颇多误解。在钱注并无整体原创性的前提下,其他直接或间接遵从钱注的清人代表注本(如仇、浦、杨等)对宋注的承袭问题也将逐次呈现。所以,杜诗研究应以宋代注本为起点,不应以清代注本为起点。Qian’s Annotations on Du Fu’s Poems has always been regarded as the most original and comprehensive annotation of Du Fu’s poems from the Qing Dynasty.By comparing the Song Dynasty annotations with Qian’s annotations,it is found that more than 70%of Qian’s annotations are inherited from the Song annotations,with only a few original viewpoints.Due to limitations in document collection,Qian’s annotations did not fully grasp the Song annotations and often misunderstood them.Given that Qian’s annotations lack overall originality,other Qing Dynasty representative annotations that directly or indirectly follow Qian’s annotations(such as those by Qiu,Pu,and Yang)will also reveal their inheritance from the Song annotations.Therefore,the viewpoint that“the study on Du Fu’s poetry should start with the Song Dynasty annotations,rather than Qing Dynasty annotations”will be fully established.

关 键 词：《钱注杜诗》 杜诗宋注 稿本 原创性 

分 类 号：I207.22[文学—中国文学] G256[文化科学—图书馆学]