杜甫古体诗典范地位在江户后期形成的一个侧面——论赖山阳的杜诗批点  

An Aspect of the Formation of Du Fu’s Ancient Style Poetry as a Model in the Late Edo Period——On Rai Sanyo’s Annotations of Du Fu’s Poems

作　　者：赵毅 Zhao Yi

机构地区：[1]上海图书馆历史文献中心,200031

出　　处：《杜甫研究学刊》2024年第3期56-68,共13页Journal of Du fu Studies

基　　金：国家社会科学基金重大项目“东亚唐诗学文献整理与研究”(18ZDA248)阶段性成果。

摘　　要：自明人邵傅《杜律集解》在江户时期流行以来,日本杜诗学者大多将批评的目光放在了杜甫的格律近体诗上。生活在江户后期的赖山阳是第一位大量批点杜甫古体诗歌的日本文人。其批点将杜诗与原先的古体诗范式进行了比较和评判,重新定义了杜甫古体诗的格调渊源,大量阐发了杜甫古诗中忠君爱国、政教伦理的思想内容,从而有意自文学本体与内在精神两方面树立起杜甫古体诗的典范地位。文章从赖山阳的杜诗批点切入,考察了杜甫古诗典范地位在江户时期形成的一个侧面,进而归纳日本杜诗学在江户后期的特点及新变。Since the popularity of Shao Fu’s Collected Explanations of Du Fu’s Regulated Verses during the Edo period,Japanese scholars of Du Fu’s poetry have mostly focused their criticism on Du Fu’s regulated verses.Rai Sanyo,who lived in the late Edo period,was the first Japanese literati to extensively annotate Du Fu’s ancient style poems.His annotations compared and evaluated Du Fu’s poems against the existing paradigms of ancient style poems,redefining the stylistic origins of Du Fu’s ancient style poems.He extensively elaborated on the themes of loyalty,patriotism,and political and ethical principles in Du Fu’s ancient style poems,thereby intentionally establishing Du Fu’s ancient style poems as a model both in literary essence and inner spirit.This paper examines Rai Sanyo’s annotations of Du Fu’s poems to explore the formation of Du Fu’s ancient style poems as a model during the Edo period,and further summarizes the characteristics and new developments of Japanese Du Fu studies in the late Edo period.

关 键 词：杜甫古体诗 江户时代 诗学批点 文学典范 

分 类 号：I207.22[文学—中国文学] K313.36[历史地理—历史学]