旧社会艺人在新中国成立初期的身份转换与形象重塑  

Identity Transformation and Image Reconstruction of Old-Society Artists in the Early Period of New China

作　　者：梁家贵 Liang Jia-gui

机构地区：[1]阜阳师范大学马克思主义学院

出　　处：《毛泽东邓小平理论研究》2024年第5期83-96,108,共15页Studies on Mao Zedong and Deng Xiaoping Theories

基　　金：国家社科基金项目“新发展理念下中国式现代化道路的时代图景及实践方略研究”[22BKS071]阶段性成果。

摘　　要：旧社会艺人向文艺工作者的身份转换,是观察新中国塑造社会风尚的重要视角。新中国成立初期,中国共产党对旧社会艺人及文艺工作进行了全面塑造。通过实施一系列方针、政策,广大旧社会艺人对自身存在的不足有了更加深刻的认识,进一步加深了对中国共产党的了解、增强了对社会主义的热爱,变被动为主动、由勉强到自觉进行自我改造。由此,全社会形成了对“文艺工作者”的社会认同,文艺工作者从过去遭人鄙夷的“戏子”身份中解放出来,成为建设新社会的劳动人民一部分,实现了身份转换与形象重塑。梳理旧社会艺人在新中国成立初期身份转换、形象重塑的过程,可为坚守新时代文艺的人民立场、建设社会主义文化强国提供历史镜鉴。The identity transformation from old-society artists to literary and artistic workers is an important perspective to observe the shaping of social fashion in new China. In the early days of New China, the CPC carried out a comprehensive remolding of the artists and literary and artistic work in the old society. Through a series of guidelines and policies, a large number of old-society artists gained a deeper understanding of their own shortcomings, further strengthened their understanding of the CPC and their love for socialism, and carried out self-transformation with a shift from passivity to initiativeness and from reluctance to self-consciousness. As a result, the whole society formed a social acknowledgement of “literary and artistic workers”, while the latter were liberated from the formerly despised identity of “clown” and realized identity transformation and image reconstruction through becoming a part of the working people who cooperatively built the new society. Sorting out the identity transformation and image reconstruction of old-society artists in the early years of New China can provide historical references for upholding the people's stand on the arts in the new era and building a socialist cultural power.

关 键 词：中国共产党 旧社会艺人 文艺工作者 社会风尚 

分 类 号：D61[政治法律—政治学]