论汤显祖早期诗风之“清”——以《红泉逸草》为例  

On the"Qing"of Tang Xianzu’s early poetic style——Taking A Collection of Poems in Hongquan as an example

作　　者：罗尚荣[1] 吕静静 LUO Shangrong;LYU Jingjing(East China Jiaotong University,Nanchang 330013 China)

机构地区：[1]华东交通大学人文学院,江西南昌330013

出　　处：《新余学院学报》2024年第4期71-76,共6页Journal of Xinyu University

摘　　要：《红泉逸草》是汤显祖最早的一部诗集,收诗76首,诗集整体展现出“清丽”“清虚”的风格特点。汤显祖早期“清”之诗风的形成与其早年受六朝“清”之审美风尚及道教思想影响相关,其诗作内容上对清新自然之山水风光及清虚淡远之空灵仙境的描绘,艺术手法上对清丽意象及色彩字、动词的灵活运用则使得“清”得以展现。汤诗这种“清”的特质打破了当时前后七子一味拟古蹈袭的诗歌风气,在明代诗坛上大放异彩。A Collection of Poems in Hongquan is Tang Xianzu’s earliest poetry collection,which includes 76 poems.The whole collection exhibits the style characteristics of"beauty"and"emptiness".The formation of Tang Xianzu’s early poetic style of"Qing"(meaning beauty and emptiness)is related to his early influence on the aesthetic trend of"Qing"in the Six Dynasties and Taoist thought.His poetry depicts the fresh and natural scenery of mountains and rivers,as well as the artistic fairyland.In terms of artistic techniques,Tang used the image of beauty,color words and verbs flexibly to display"Qing".This kind of"Qing"characteristic of Tang’s poetry broke the poetic trend of the fourteen poets blindly imitating the ancient and following the tradition,and made great achievements in the poetry of the Ming Dynasty.

关 键 词：汤显祖 《红泉逸草》 “清” 诗歌风格 

分 类 号：I207.22[文学—中国文学]