京剧元素为主题的钢琴作品《皮黄》演奏技法特殊性研究  

Peking Opera Elements as the Theme of the Piano Works Research on the Particularity of the Performance Techniques of PI Huang

作　　者：吴丽群 Wu Liqun(Department of Basic Education,Putian University,Putian 351131,China)

机构地区：[1]莆田学院基础教育学院,福建莆田351131

出　　处：《黑河学院学报》2024年第8期151-154,共4页Journal of Heihe University

基　　金：莆田学院2021年校级教育教学改革研究项目“新文科背景下基于文、理学科交叉与融合的学前教育专业音乐课程教学改革与实践”(JG202135)。

摘　　要：京剧属于我国经典国粹,在历史发展环节中持续发展与创新,逐渐衍生特色鲜明的戏曲板式、戏曲唱腔。钢琴作品《皮黄》属于一部将大量京剧元素融入钢琴所衍生的作品,即将京剧板式、京剧唱腔、各种各样的音程以变体为核心的音调,根据戏曲板式主流发展思维,以及逻辑逐一实施,环环紧扣,获取合理有效的音乐结构。同时根据个人成长历程、真实情感,使用当代作曲技术技法进行创新。作曲家在钢琴音乐作品创作环节添加多元化、多样化的京剧元素,使中西方音乐融合,有利于发展民族优秀国粹及音乐精华。Peking Opera,the quintessence of Chinese classics in the form of Chinese expression,gets continuous development and innovation in the historical development,and gradually develops the distinctive characteristics of opera style and opera singing.Piano works integrates a lot of Peking Opera elements into the piano,namely,Peking Opera plate style,Peking Opera singing,a variety of intervals with variations as the core of the tone.According to the mainstream development of opera style thinking and the interlocking logic,the piano work can obtain a reasonable and eff ective music structure,and use contemporary compositional techniques to innovate based on personal growth and true feelings.By adding diversifi ed and diversifi ed Peking Opera elements to the creation of piano music works,the composer transfers and integrates Chinese and Western music,which is conducive to the personality and the development of national excellent quintessence and music essence.

关 键 词：京剧元素 钢琴作品 《皮黄》 演奏技法 特殊性 

分 类 号：J624[艺术—音乐]