髹漆技艺在越南的传播与发展——以越南后黎朝为中心  

The dissemination and development of lacquer techniques in VietnamCentered around the Later Le Dynasty in Vietnam

作　　者：曹斌 CAO Bin

机构地区：[1]广西艺术学院东南亚美术研究中心,广西南宁530007

出　　处：《中国生漆》2024年第2期1-5,共5页Journal of Chinese Lacquer

摘　　要：后黎朝是越南髹漆技艺转变的重要时期,这一时期髹漆木雕佛像尤其盛行,一方面是佛教思想在越南的根深蒂固,但另一方面更多的是受到当时中国髹漆技艺的影响。越南常信府上福县平望村人陈驴于后黎朝被任使臣出使中国湖南,并带回当地的髹漆技艺,而后被世代漆匠供奉誉为“漆画先师”,推动了越南髹漆技艺的发展。The later-Le Dynasty was an important period for the transformation of lacquering techniques in Vietnam.During this period,lacquering wood sculpture of Buddha was especially popular.On the one hand,Buddhism was deeply rooted in Vietnam,but on the other hand,it was more influenced by Chinese lacquering techniques at that time.Chen,a native from Pingwang Village,Shangfu County,Changxin City Vietnam,was sent to China's Hunan region,as an envoy in the late Le Dynasty,and brought back the local painting skills,and then was honored by generations of painters as"lacquer painting pioneers",which promoted the development of lacquer painting skills in Vietnam.

关 键 词：越南后黎朝 髹漆 陈驴 平望村 

分 类 号：J537[艺术—艺术设计] K333.3[历史地理—历史学] G206[历史地理—世界史]