雷蒙·格诺的《蓝花》对“吾丧我”的哲学观照  

Raymond Queneau's The Blue flowers:A Philosophical Perspective on"I lose myself"

作　　者：严霜钰 YAN Shuangyu(School of Foreign Studies,Anhui Normal University,Wuhu 241002,China)

机构地区：[1]安徽师范大学外国语学院,安徽芜湖241000

出　　处：《赤峰学院学报（哲学社会科学版）》2024年第8期43-47,共5页Journal of Chifeng University：Philosophy and Social Science Chinese Edition

基　　金：安徽师范大学2020年度校级科研项目“小说《蓝花》创作思想中的东方哲学色彩研究”(2020XJ04)。

摘　　要：《蓝花》是法国当代作家雷蒙·格诺代表作之一,封页上“庄周梦蝶”的典故折射了与老庄哲学的联系。格诺本人对东方哲学尤其是中国道家智慧表现出特别的兴趣,并从中撷取了精神营养和写作灵感,于是在《蓝花》中,性情殊异却相互成梦的两位主角身上仿佛闪现道家“吾丧我”的哲学。格诺借其中一位主角外化其对“智者”的理解,主张打破自我中心的立场和对象性关系,追求物化之境,提倡和谐共处的自然辩证观。格诺转向中国道家智慧汲取灵感,实际是西方文化采东方文明之长的缩影,为东西方异质文化对话和互鉴提供了启示。The Blue flowers is one of the contemporary French writer Raymond Queneau's masterpieces.The allusion to"Chuang-Tzu Dreaming A Butterfly"on the cover page reflects the connection between the work and the Lao-Chuang philosophy.Queneau himself has shown special interest in Eastern philosophy,especially Chinese Taoist wisdom,from which he has drawn spiritual nourishment and writing inspiration.Thus,in The Blue flowers,the two protagonists,who are entirely contrary in nature but dream of each other,seem to embody the Taoist philosophy of"I lose myself".Through one of the protagonists,Queneau externalizes his understanding of"sage",proposing to break the egocentric position and object relations,pursuing the realm of materialization,and advocating the natural dialectics of harmonious coexistence.Queneau's turning to the Chinese Taoist wisdom is actually the epitome of the phenomenon that Western culture draw on the essence of Eastern civilization,which can provide inspiration for the dialogue and the mutual learning between Eastern and Western heterogeneous cultures.

关 键 词：《蓝花》 雷蒙·格诺 老庄哲学 “吾丧我” 

分 类 号：I565.074[文学—其他各国文学]