《兰心大剧院》:改编处理和风格重塑  

Saturday Fiction : Adaptation Processing and Style Remodeling

作　　者：杨波 YANG-Bo(School of Chinese Language and Literature,Hanjiang Normal University,Shiyan 442000,China)

机构地区：[1]汉江师范学院文学院,湖北十堰442000

出　　处：《汉江师范学院学报》2024年第4期39-45,共7页Journal of Hanjiang Normal University

基　　金：湖北省高等学校马克思主义中青年理论家培育计划项目“马克思与重复美学的若干问题研究”(项目编号:21ZD239)阶段性成果。

摘　　要：电影《兰心大剧院》是娄烨导演的近作,也是华语电影美学的又一重要收获。《兰心大剧院》充分利用小说《上海之死》所提供的素材而又进行全面改写,电影主创高度尊重原著,同时又希望摆脱原著的束缚,使两个文本形成对话与合作关系,踏出流畅而精彩的舞步。将《兰心大剧院》与娄烨以往作品比较,不难发现风格上的承继关系,许多娄烨签名式手法较易被辨识出来,同时也出现了一些变化。因为风格元素的重复与变奏,娄烨通过《兰心大剧院》继续扩大个人电影世界,强化同时调整其风格面目。《兰心大剧院》的改编创作是成功的,娄烨的电影技法与风格日趋成熟。娄烨电影在当下社会环境中仍属稀缺品种,具有较高艺术、审美与文化价值。Saturday Fiction is the latest work of director Lou Ye,and also another important achievement of Chinese film aesthetics.This paper analyzes Saturday Fiction from two aspects:one,sorting out what changes have been made to the film text based on the novel text,judging the effect of the changes,and speculating on the reasons for the changes;two,comparing Saturday Fiction with Lou Ye's previous works,seeing what style elements it has inherited and reshaped,and exploring the evolution of Lou Ye's film style.Then,the paper describes the significance and value of Lou Ye's film creation in a macro way.The adaptation and creation of Saturday Fiction is successful,and Lou Ye's film techniques and style became increasingly mature.Lou Ye's films are still scarce in current film environment,with high artistic,aesthetic and cultural values.

关 键 词：娄烨 艺术片 类型转化 “片中戏” 电影生态 文化价值 

分 类 号：J905[艺术—电影电视艺术]