全球化浪潮中的一座孤岛--德国小说《账单待付》中的岛屿母题  

An Island in Globalisation: The Island Motif in the German Novel Rechnung offen

作　　者：薛原[1] XUE Yuan(Department of German Studies,Shanghai Jiao Tong University,Shanghai 200240,China)

机构地区：[1]上海交通大学德语系,上海200240

出　　处：《同济大学学报（社会科学版）》2024年第4期1-14,共14页Journal of Tongji University:Social Science Edition

摘　　要：“岛屿”母题在21世纪的德国哲学和文学中书写了浓墨重彩的篇章。德国著名哲学家彼得·斯洛特戴克回溯了人类文明中的三次全球化,并用“岛屿化”和“全球化”来隐喻人类自我保护和开拓疆域之间的关系。他笔下全球化的宏大“水晶宫”破碎之后,个体以“泡沫化”的生存形式寻求自我免疫。德国作家英格-玛丽亚·马尔克以2008年全球金融危机为背景构思的小说《账单待付》描写了一个在全球化浪潮中被推至城市边缘的生存孤岛。借助多重叙事技巧,马尔克不仅展现了一群在各自社会圈层中坠落的人们的悲喜,更是敏锐地透视了当代德国人泡沫式的“孤岛文化”,展开了一幅全球化时代德国现实主义的画卷。The“island”motif has written acolourful chapter in German philosophy and literature in the twenty-first century.Sloterdijk,a famous German philosopher,recalled the three globalisations in human civilisation and used“islanding”and“globalisation”as metaphors for the relationship between human self-protection and the development of territories.After the shattering of the grand“crystal palace”of globalisation in his writing,individuals seek self-immunity in the form of bubbles.German writer Inger-Maria Mahlke's novel Rechnung offen,conceived against the backdrop of the 2008 global financial crisis,depicts an island of existence pushed to the edge of the city by the wave of globalisation.With the help of multiple narrative techniques,Mahlke not only shows the sorrows and joys of a group of people falling in their respective social circles,but also keenly penetrates the bubble-like“insular culture”of contemporary Germans,unfolding a picture of German realism in the era of globalisation.

关 键 词：全球化 斯洛特戴克 岛屿母题 孤岛文化 《账单待付》 

分 类 号：I516.074[文学—其他各国文学]