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作 者:邵斌[1] SHAO Bin(School of International Studies,Zhejiang University,Hangzhou310058,China)
出 处:《同济大学学报(社会科学版)》2024年第4期120-128,共9页Journal of Tongji University:Social Science Edition
基 金:中央高校基本科研业务费专项资金项目。
摘 要:语言的创造性一般被认为是文学家的专利,但事实上,源自文学作品的创造性表达在日常语言交流中也俯拾皆是。金庸小说关键词体现了文学家的创造性,其在社交媒体中的创新使用则体现了普通大众的语言创造性,主要表现为词汇使用创新和多模态语言创新。从社会认知视角来看,金庸小说关键词在微博中的创造性使用涉及概念整合的认知建构作用。具体而言,日常语言创造性的生成与理解离不开其建构者和共同建构者的概念整合认知建构,以及文学经典化和日常生活化所提供的共享社会文化背景。Creativity in language is generally regarded as the monopoly of literary writers,but in fact,creative expressions originated from literary works also abound in everyday communication.While the keywords in Jin Yong's novels undoubtedly reflect the creativity of a literary genius,while their unusual use in social media reflects the linguistic creativity possessed by the general public,which is mainly manifested in lexical use innovation and multi-modal language innovation.From the perspective of social cognition,the creative use of Jin Yong's keywords in Weibo,a Chinese microblogging platform,entails the cognitive and constructive function of conceptual integration.Specifically,creativity in everyday language cannot be produced and understood without its constructor and co-constructor,the constructor's conceptual integration,and the socio-cultural context brought by the canonization and popularity of literary works.
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