浅谈陶瓷绘画与综合装饰之间  

Brief Discussion Between Ceramic Painting and Comprehensive Decoration

作　　者：万禧灵 Wan Xiling(Jingdezhen Ceramic University,Jiangxi,Jingdezhen,333403,China)

机构地区：[1]景德镇陶瓷大学,江西景德镇333403

出　　处：《陶瓷》2024年第9期98-100,共3页Ceramics

摘　　要：在现代陶瓷艺术与绘画综合材料创新发展的影响之下,许多陶瓷艺术家通过对绘画材料的不同感知和理解,不断地试验其独特的材料语言,尝试在陶瓷绘画与综合装饰之间探索出一条创新道路。现在陶瓷成为了一种文化再借用的独特载体,作为世界艺术文化独特的组成部分之一,陶瓷艺术的创作直面传统和现代的空间性以及时间性。笔者通过分析陶瓷绘画与综合材料之间的语言和联系,寻找二者之间更多的绘画表现力以及创作可能性。Under the influence of the innovative development of modern ceramic art and painting comprehensive materials, many ceramic artists continue to experiment with their unique material language through different perceptions and understandings of painting materials, trying to explore an innovative path between ceramic painting and comprehensive decoration. Now ceramics have become a unique carrier of cultural re-borrowing. As one of the unique components of world art and culture, the creation of ceramic art faces the spatial and temporal characteristics of tradition and modernity. By analyzing the language and connection between ceramic painting and comprehensive materials, this paper tries to find more expressive force and creation possibility between them.

关 键 词：陶瓷绘画 陶瓷综合装饰 综合材料 艺术 创新 

分 类 号：TQ174.74[化学工程—陶瓷工业]