中国当代陶瓷人物雕塑中的“写意性”探讨  

A Discussion on Freehandness in Contemporary Chinese Ceramic Figure Sculpture

作　　者：邓腾霏 Deng Tengfei(Jingdezhen Ceramic University,,Jiangxi,Jingdezhen,333000,China)

机构地区：[1]景德镇陶瓷大学,江西景德镇333000

出　　处：《陶瓷》2024年第9期101-102,171,共3页Ceramics

摘　　要：自“写意雕塑”的理论被提出并得到业界的广泛响应后,许多艺术家以陶瓷材料为媒介,创作出颇具“写意性”的陶瓷雕塑作品。“意”是蕴藏在作品中的气韵,是艺术家的精神显现与情感流露。笔者探讨的“写意性”不仅仅是作品风格的写意,而是关乎作品的思想内核与审美意趣。Since the theory of "freehand sculpture" was put forward and widely responded to by the industry,many artists have created "freehand" ceramic sculptures using ceramic materials as a medium. "Meaning" is the charm hidden in the work,and it is the spiritual manifestation and emotional expression of the artist.The "freehandness" discussed in this article is not only the freehand style of the work,but also the ideological core and aesthetic interest of the work.

关 键 词：写意 思想内核 审美意趣 陶瓷人物雕塑 

分 类 号：TQ174.74[化学工程—陶瓷工业]