论明代长治观音堂彩塑的线条艺术及文化内涵  

Line Art of Colored Sculptures in the Guanyin Hall of Changzhi During the Ming Dynasty

作　　者：龚钰轩 黄永冲 钟博超 GONG Yuxuan;HUANG Yongchong;ZHONG Bochao(Institute of Science and Technology History,Jiangsu University of Science and Technology,Zhenjiang 212100,China;Basic Scientific Research Center for Cultural Relics Protection,University of Science and Technology of China,Hefei 230026,China;Anhui Rural Revitalization Research Institute,Anhui Architecture University,Hefei 230009,China)

机构地区：[1]江苏科技大学科学技术史研究院,江苏镇江212100 [2]中国科学技术大学文物保护科学基础研究中心,安徽合肥230026 [3]安徽省乡村振兴研究院,安徽建筑大学,安徽合肥230009

出　　处：《中北大学学报（社会科学版）》2024年第5期83-89,共7页Journal of North University of China：Social Science Edition

摘　　要：彩塑作为一种传统的艺术形式本身便承载着丰富的历史、艺术、文化信息。到了明代,世俗化的塑像风格更是让诸多彩塑独具魅力。山西长治观音堂为明代彩塑集大成者,现存彩塑、悬塑等塑像500余尊,诸多塑像神采各异、仪态万千,着实是不可多得的艺术精品。本文以长治观音堂彩塑为例,首次以彩塑中的线条纹饰为切入点去剖析彩塑的魅力,并结合晋东南地区的历史背景与相关艺术学知识阐述长治观音堂彩塑中线条艺术的瑰丽之美及其文化内涵。As a form of traditional arts,colored sculptures carry rich historical,artistic,and cultural information.By the Ming Dynasty,the secularized style of these sculptures made them particularly captivat⁃ing.The Guanyin Hall in Changzhi,Shanxi,is an example of Ming Dynasty colored sculpture,with over 500 existing statues,including both colored and suspended sculptures.These statues exhibit a wide range of expressions and postures,making them exceptional artistic masterpieces.This article takes the colored sculp⁃tures of the Guanyin Hall in Changzhi as an example,analyzing their charm from the perspective of line art in the sculptures.It also discusses the splendid beauty of the line art in these sculptures and their cultural connotations,considering the historical background and relevant art knowledge of the southeastern Shanxi region.

关 键 词：长治观音堂 明代彩塑 线条艺术 

分 类 号：J315[艺术—美术]