追光动画电影中女性身体消费的伦理反思  

Reflections on Ethics of the Consumption of Female Bodies in Light Chaser Animation Films

作　　者：杨梓涵 YANG Zihan(School of Journalism and Communication,Shaanxi Normal University,Xi’an 710062,China)

机构地区：[1]陕西师范大学新闻与传播学院,陕西西安710062

出　　处：《中北大学学报（社会科学版）》2024年第5期118-123,共6页Journal of North University of China：Social Science Edition

摘　　要：追光动画电影中的《白蛇》系列影片是对白蛇IP的最新动画电影演绎,进一步充实了“新传说宇宙”体系的世界观,并突破了以往以男性主角作为叙事逻辑的做法,展现了动画电影中女性作为独立个体的视角,塑造了两位新型的东方女性形象。本文将聚焦《白蛇:缘起》和《白蛇2:青蛇劫起》中的女性形象,从在他者凝视下女性身体所呈现出一种被动的“完美”形态,进而在消费主义的言说逻辑之下转变为一个奇观化的赛博格“女战士”形象,再到情感伦理中对于自身情感需求的探索和女性身份的再建构,从而达到在性别伦理之下关于女性身体的消费性书写。电影中的女性身体从他者、自我等多个视角展现了对于女性身体消费的伦理反思,从而凸显了在后现代女性主义语境中女性如何突破传统的叙事框架,去寻求自身价值的深层含义。The Light Chaser Animation White Snake series represent the latest animated adaptation of the White Snake IP and further enriches the worldview of the New Legend Universe.These films change the traditional male-centric narrative approach and showcase women’s independent perspectives,creating two new types of Eastern female characters.This article explores the female images in White Snake and Green Snake.Among the images of women from a passive perfect female body under the gaze of others to a spectacular cyborg female warrior under the logic of consumerism,to the exploration of emotional needs and reconstruction of female identity within emotional ethics,the consumption of female body is depicted in the context of gender ethics.The films offer ethical reflections on the consumption of female body from multiple perspectives,including that of others and the self,highlighting how women in a postmodern feminist context seek to break free from traditional narrative frameworks and pursue deeper meanings of self-worth.

关 键 词：追光动画电影 女性身体消费 赛博格 性别伦理 后女性主义 

分 类 号：G206[文化科学—传播学]