女伶艺术的精进——论奎德社时装戏创演  

Improvement in Actresses’Art-On the Fashion Drama of Kuide Troupe

作　　者：倪金艳 NI Jinyan

机构地区：[1]河北师范大学文学院,石家庄050024

出　　处：《浙江艺术职业学院学报》2024年第2期11-16,51,共7页Journal of Zhejiang Vocational Academy of Art

基　　金：2022年度河北省社科基金一般项目“民国时期河北戏曲时事剧整理与研究”的阶段性成果(项目编号:HB22ZW002)。

摘　　要：民国时期的奎德社,受戏曲改良风潮的影响,通过编演《丐侠记》《黑籍冤魂》《家庭祸水》《啼笑因缘》《柳暗花明》等时装戏维持戏班的正常运转,也为自己赢得了“救世易俗”的良好声誉。奎德社所演时装戏直面世俗生活,意在劝善惩恶、辅助通俗教育。作为河北梆子坤班,该社自觉关注女性命运,塑造了“新女性”形象,借此表达对两性关系的思考。奎德社时装戏演出实践,既助力于女伶的成长成名,也推动了河北梆子的繁荣;既拓宽了河北梆子表现生活的广度,又提高了剧目的文学性,亦促进了河北梆子表演艺术的革新。During the period of the Republic of China,influenced by the trend of theatrical reform,Kuide Troupe ensured their running through adapting and performing fashion dramas such as Beggar Heroes,Victims of Opium,Calamity,Between Tears and Laughter and From Darkness to Light,which earned them a good reputation for encouraging“deliverance and transformation”.The fashion dramas performed by Kuide Troupe faced reality directly,aiming to persuade virtue and fight vice so as to support popular education.As Hebei Bangzi’s female troupe,it consciously paid attention to the fate of women and shaped the image of“new women”to express thoughts on gender relations.Their practice in performing fashion drama not only contributed to the achievements of actresses,but also boosted the prosperity of Hebei Bangzi.Furthermore,it broadened its breadth of displaying real life,improved the literariness of the repertoire,and also promoted the innovation of the performing art of Hebei Bangzi.

关 键 词：河北梆子 奎德社 时装戏 女伶 演剧 

分 类 号：J803[艺术—戏剧戏曲]