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作 者:吴伟楠 WU Weinan
机构地区:[1]温州大学人文学院,温州325035
出 处:《浙江艺术职业学院学报》2024年第2期31-38,95,共9页Journal of Zhejiang Vocational Academy of Art
基 金:国家社科基金艺术学重大项目“新中国成立70周年中国戏曲史(福建卷)”阶段性成果。(项目编号:18ZD09)。
摘 要:梁中秋善于将不同文学体裁的作品改编成戏曲,其剧作题材内容广泛。他塑造了一批具有现实意义的清官形象和女性形象,关照人物的命运起伏,对人性进行了深入的探寻。他塑造的戏曲人物展现作者对现实社会的关注和思考。在艺术特色上,合理安排主次情节,运用误会冲突、设置道具等艺术手段,铺排情节结构,使剧情更加丰富。作者借戏曲故事,表达人生体悟,阐发深刻的现实意蕴。Liang Zhongqiu’s plays have a wide range of themes,and he is good at adapting works of different literary genres into operas.He created a number of realistic images of honest officials and women,took care of the ups and downs of characters’fate,and made an in-depth exploration of human nature.The opera characters he created show the author’s concern and thinking about the real society.In terms of artistic characteristics,the primary and secondary plots are arranged reasonably,and the plot structure is laid out by artistic means such as misunderstanding and conflict,and the setting of props,so as to enrich the plot.The author uses drama stories to express his understanding of life and expound profound practical implications.
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