近十年中国古代音乐文献学研究现状及相关思考  

Current State of Research on Ancient Chinese Music Literature and Related Reflections in the Past Decade

作　　者：王乒乒 WANG Pingping

机构地区：[1]上海音乐学院,上海200031

出　　处：《浙江艺术职业学院学报》2024年第2期79-89,共11页Journal of Zhejiang Vocational Academy of Art

摘　　要：目前学界对于中国古代音乐文献学的研究范畴仍有所争议。综合辨析音乐学界相关观点以及文史哲领域对于“文献学”的界定,立足于中国古代音乐文化自身历史传承、演变特征,中国古代音乐文献学的研究范畴应包含中国古代音乐历史中出现的文字类文献研究成果,以及用文献学视角对古乐谱、音乐图像及出土文物等文献展开研究所得到的成果。近十年(2013—2023年)中国古代音乐文献学研究成果丰富,不论是研究的广度还是深度都有一定的发展,有着鲜明的特征,亦尚有不足之处,亟待解决。The categorization of Chinese ancient music philology remains a subject of debate within the academic community.By thoroughly examining and analyzing perspectives from the fields of music,as well as definitions of“philology”in literature,history,and philosophy,while considering the historical inheritance and evolution characteristics of Chinese ancient music culture,it becomes evident that the research category of Chinese ancient music philology encompasses both written literature in the history of Chinese ancient music and studies on ancient musical scores,visual representations of music,and unearthed cultural relics from a philological perspective.Over the past decade(2013-2023),significant progress has been made in Chinese ancient music philology with expanded breadth and depth.However,there are still areas that require further development.

关 键 词：中国古代音乐文献学 研究范畴 研究现状 

分 类 号：J609[艺术—音乐]