溯史·凝炼·抒怀——术语Cantabile及Bel Canto的互助性艺术表达  

Tracing History,Condensing Essence and Expressing Emotions-Mutualartistic Expression of the Two Terms Cantabile and Bel Canto

作　　者：万梦萦 WAN Mengying

机构地区：[1]深圳大学艺术学部音乐舞蹈学院,深圳518000

出　　处：《浙江艺术职业学院学报》2024年第2期96-103,共8页Journal of Zhejiang Vocational Academy of Art

摘　　要：歌唱性的表达一直是键盘艺术追求的终极目标。在键盘艺术被人津津乐道的黄金发展时期,歌唱性的表达实则上形成了两套“系统”,一套是以Cantabile(如歌地,轻柔地)作为巴洛克和古典时期的主导术语,一套是浪漫时期以Bel Canto(歌唱地)建立的情感共鸣。Cantabile与Bel Canto既有代表歌唱性的共性特征,也有区分彼此差异的不同概念,目前学术界尚未对这两者在音乐语汇体系的具体实践代表意义上做出本质的区分与定论。厘清两者术语的音乐语境并构建逻辑桥梁将歌唱性“置入”键盘艺术中,有助于理论与演奏一体的共生发展与互助性艺术表达。The expressive way of singing has always been the ultimate goal pursued by keyboard art.During the golden age of keyboard art,the expression of singing actually formed two“systems”,one was based on Cantabile(singingly,softly)as the dominant term in the Baroque and classical periods,and the other was the emotional resonance established by Bel Canto(singingly)in the romantic period.Cantabile and Bel Canto have both common characteristics representing the singing expressiveness,and also have different concepts that distinguish each other.At present,the academic community has not yet made an essential distinction and conclusion about the specific practical representation of these two terms in the music vocabulary system.Clarifying the musical context of the two terms and building a logical bridge to“bring”the expressive singing style into keyboard art,becoming a symbiotic development and mutually supportive artistic expression that integrates theory and performance.

关 键 词：如歌地 抒情的情感共鸣 歌唱性 键盘艺术 

分 类 号：J616[艺术—音乐]