贵池傩戏与上元节关系探究  

Probe into the Relationship between Guichi Nuo Opera and the Shangyuan Festival

作　　者：侯泳淇 HOU Yongqi

机构地区：[1]温州大学人文学院,温州325000

出　　处：《浙江艺术职业学院学报》2024年第2期137-143,共7页Journal of Zhejiang Vocational Academy of Art

基　　金：温州大学2024年硕士研究生创新基金项目“安徽贵池傩戏与韩国踏地神比较研究”成果。(项目编号:3162024003034)。

摘　　要：贵池傩戏有着祭祀祈福与娱人娱神的特点,是以戏曲、歌舞的方式进行驱邪纳吉的傩戏仪式。上元节有着散乐百戏之俗,一直有着驱除鬼神、祈求平安的祭祀传统。正是正月十五上元节与贵池傩戏都有着鲜明的祭祀性与娱乐性,使得贵池傩戏中最重要的朝庙仪式自然而然地融入到上元夜的歌舞百戏之中,二者相辅相成、相互促进。Guichi Nuo opera with rituals and prayers for blessings and entertaining entertainment of God’s character,is to opera,song and dance way to drive away evil spirits Nuo opera ceremony.The Shangyuan Festival has the custom of scattering music and a hundred plays,and has always had a sacrificial tradition of exorcising ghosts and gods and praying for peace.It is on the Shangyuan Festival and Guichi Nuo opera have distinctive rituals and entertainment,so that Guichi Nuo opera in the most important Zhaomiao rituals naturally integrated into the song and dance on the night of the Shangyuan Festival in the play,the two complement each other,and promote each other.

关 键 词：傩文化 贵池傩戏 上元节 辟邪纳吉 

分 类 号：J825[艺术—戏剧戏曲]