18世纪中国瓷器对德国麦森陶瓷的设计影响  

The Influence of 18th Century Chinese Porcelain on the Design of German Meissen Ceramics

作　　者：邹国豪 张朝晖 ZOU Guo-hao;ZHANG Zhao-hui(School of Design and Art,Jingdezhen Ceramics University,Jingdezhen 333403,China)

机构地区：[1]景德镇陶瓷大学设计艺术学院,景德镇333403

出　　处：《中国陶瓷》2024年第9期78-87,共10页China Ceramics

基　　金：国家社会科学基金艺术学一般项目“‘一带一路’视阈下中国当代陶瓷艺术与设计语境研究”(21BG123)。

摘　　要：德国麦森是欧洲最先研制出硬质瓷的瓷厂,在欧洲及世界陶瓷史上具有重大里程碑式意义。18世纪初期,奥古斯都二世为建立陶瓷宫殿以及提高麦森瓷厂的制瓷能力,收藏并仿制中国瓷器,麦森的“中国风”陶瓷成为东西方文化融汇的物质载体。本文将文献资料与实物标本二者并重,结合图像学与对比研究的方法,探讨中国瓷器对德国麦森陶瓷的设计影响,从材料与工艺角度阐述麦森瓷厂初期仿制中国瓷器的设计历史,反映中国传统文化的传播,再现东西方审美观念的共鸣,以证中国瓷器对德国麦森瓷厂迅速崛起所起到的影响作用。Germany Meissen is the first porcelain factory in Europe to produce hard-paste porcelain,marking a significant milestone in European and global ceramic history.In the early 18th century,Augustus II,in his efforts to establish a porcelain palace and enhance the porcelain-making capabilities of the Meissen factory,collected and imitated Chinese porcelain.The Meissen“Chinese-style”ceramics became a material carrier of cultural fusion between East and West.This study places equal emphasis on literature and physical specimens,combined with iconography and comparative research methods,to explore the design influence of Chinese porcelain on German Meissen ceramics.It delves into the design history of Meissen porcelain factory’s early imitation of Chinese porcelain from the perspectives of materials and techniques,reflecting the dissemination of traditional Chinese culture and showcasing the resonance of Eastern and Western aesthetic concepts,in order to prove the influence of Chinese porcelain on the rapid rise of the German Meissen porcelain factory.

关 键 词：麦森瓷厂 奥古斯都二世 中国瓷器 收藏 仿制 设计影响 

分 类 号：J505[艺术—艺术设计]