后现代视阈下的“言语戏剧”——法国当代戏剧家瓦莱尔·诺瓦利那剧作的艺术特征初探  

Analyzing"Theatre des Paroles"from a Postmodern Perspective:the Distinctive Features of Valere Novarina's Plays

作　　者：宫宝荣[1] Gong Baorong

机构地区：[1]上海戏剧学院外国戏剧中心

出　　处：《戏剧（中央戏剧学院学报）》2024年第4期87-98,共12页Drama:The Journal of the Central Academy of Drama

基　　金：国家社科基金重大项目“当代欧美戏剧研究”(项目编号:19ZD10)的阶段性成果。

摘　　要：本文的研究对象为法国当代著名戏剧家瓦莱尔·诺瓦利那的“言语戏剧”,并从后现代的角度对这一戏剧类型的艺术特征进行探讨。文章首先分析“言语戏剧”产生的时代背景,指出它是法国“五月风暴”时期兴起的后现代主义思潮影响下的产物,进而从行动、人物、语言等三个维度,通过与传统戏剧的对比,分析诺氏“言语戏剧”的行动破碎化、人物虚空化以及语言物质化等典型的后现代戏剧特征。This paper examines the"theatre des paroles"of the renowned French contemporary playwright Valere Novarina,exploring the artistic characteristics of his theater from a postmodern perspective.Initially,the study delves into the background that led to the emergence of this"theatre des paroles",pinpointing its roots in the postmodernism trends that surfaced during the"May 68"period in France.This is followed by a comparative analysis of Novarina's theater with traditional theater across three dimensions:action,character,and language.Through this analysis,the typical postmodern features of V.Novarina's"theatre des paroles",such as action fragmentation,character emptiness,and language materialization,are illuminated.

关 键 词：瓦莱尔·诺瓦利那 言语戏剧 后现代特征 

分 类 号：J83[艺术—戏剧戏曲]