黑色电影的黑色风格解析  

An Interpretation of the Noir Style in Film Noir

作　　者：贺春健[1] 刘明 He Chunjian;Liu Ming(Changchun Education Institute,Changchun,130033;Changchun Art Experimental High School,Changchun,130012)

机构地区：[1]长春教育学院思想政治理论教研部,吉林长春130033 [2]长春艺术实验中学,吉林长春130012

出　　处：《长春教育学院学报》2024年第4期59-64,共6页Journal of Changchun Education Institute

摘　　要：黑色电影是一种风格、氛围和情绪的表达,以其独特的黑色风格实现了对社会问题的折射和对人性的反思与批判。硬汉派小说和德国表现主义都对黑色电影的发展产生了深远的影响。电影中第一人称的非线性叙事结构打乱了时空顺序,加深了故事的绝望和宿命感。女性角色多为阴险而又强大的“蛇蝎美人”,体现了当时社会充满矛盾的女性观念。黑色电影善于运用低调影像、高反差照明等拍摄手法营造阴郁、悲观的影像空间。Film noir is an expression of style,atmosphere and emotion,which reflects social problems and rethinks and criticizes the human nature.Both hard boiled fictions and German Expressionism had profound influences on the development of film noir.The non-linear narrative structure of the first person in the film disturbs time and space orders and deepens the sense of despair and destiny in the story.Most of the female roles are sinister and powerful“femme fatale”,which reflects the contradictory concept of women in the society at that time.Film noir is good at using low-key images,high contrast lighting and other shooting techniques to create gloomy and pessimistic image spaces.

关 键 词：黑色电影 黑色风格 表现主义 叙事结构 

分 类 号：J93[艺术—电影电视艺术]