红色展览中文物与精神的整合展示思考  

Reflections on the Integrated Display of Cultural Relics and Spirit in“Red”Exhibitions

作　　者：王宇洁 Wang Yujie

机构地区：[1]中国国家博物馆,北京100006

出　　处：《博物馆管理》2024年第4期69-78,共10页Museum Management

摘　　要：在红色展览中,文物和精神展示常因媒介属性各异而难以融合,导致展示中两者分离,观众体验受限。本文分析了文物物质性全面展示与精神内涵阐释不足之间的鸿沟,从时空、本体、认知及缺失四个维度揭示分离根源,并提出整合展示策略,旨在为红色展览的创新展示提供参考与启示。通过精准定位展览类型、构建叙事性综合展示媒介、运用联觉展示策略,可有效促进文物与精神的融合展示,深化观众对红色文化的理解与共鸣,提升展览的传播效果与影响力。In“red”exhibitions,that is,the exhibitions of the early revolutionary history of the Communist Party of China(CPC),the displays of cultural relics and spirit are often difficult to integrate due to the different properties of the media,resulting in the separation of the two in the display and limited visitor experience.This article analyzes the gap between the comprehensive display of the materiality of cultural relics and the insufficient interpretation of their spiritual connotation,reveals the roots of the separation in four dimensions:space-time,ontology,cognition and absence,and puts forward an integrated display strategy,aiming to provide reference and inspiration for the innovative display of“red”exhibitions.Through precise orientation of the exhibition type,construction of narrative integrated display media and utilization of joint display strategy,the integrated display of cultural relics and spirit can be effectively promoted to deepen the visitors’understanding and resonance of the“red”culture and enhance the communication effect and influence of the exhibition.

关 键 词：红色展览 文物展示 精神展示 整合展示 

分 类 号：G265[历史地理—考古学及博物馆学] D64[政治法律—政治学]