唐亡之痛与老病之悲的书写及调适——韩偓寓闽创作新论  

The Writing and Adjustment of the Pain of Tang Dynasty's Death and the Wound of Old Disease:New Theory of Han Wo's Creation in Fujian

作　　者：汪钰 WANG Yu(Department of Chinese Language and Literature,Ganzhou Teachers College,Ganzhou,Jiangxi 241000,China)

机构地区：[1]赣州师范高等专科学校中文系,江西赣州241000

出　　处：《石家庄学院学报》2024年第5期111-118,共8页Journal of Shijiazhuang University

基　　金：江西省社会科学基金项目“流寓与中唐后期文学创变研究”(24WX18);赣州师范高等专科学校专项课题“流寓与中唐古文运动研究”(TD2024005)。

摘　　要：韩偓生命的最后18年在闽中度过,闽中诗是其一生的创作高峰。一方面,唐王朝的灭亡形成的创伤体验与自身的衰残病痛,乃至对死亡的恐惧,持续折磨着他的心灵;另一方面,福建当地兴盛的宗教,尤其是佛教、道教与独具特色的山水风物,与文学创作及其承载的回忆一道,又成为其获得终极关怀、寄寓复杂情感的对象。韩偓寓闽期间的创作几乎均围绕上述心理与现实活动展开,亦成为其最后18年心路历程的最佳展示。Han Wo spends the last 18 years of his life in Minzhong,and Minzhong poetry is the pinnacle of his creative career.On one hand,the traumatic experience formed by the demise of the Tang Dynasty and his own decay and illness,and even the fear of death torment his soul continuously;on the other hand,the local flourishing religions in Fujian,especially Buddhism,Taoism and The unique landscape and scenery have become the objects of ultimate care and complex emotions.Almost all creations of Han Wo in Fujian revolve around the aforementioned psychological and realistic activities,becoming the best display of his last 18 years of mental journey.

关 键 词：韩偓 闽中诗 创伤 宗教 山水风物 

分 类 号：I207.22[文学—中国文学]