艺术风格学视域下的中日动画艺术造型比较研究  

Comparative Study on Chinese and Japanese Animation Art Modeling from the Perspective of Artistic Stylistics

作　　者：饶振刚 RAO Zhengang(Wuhan University of Technology,430070 Wuhan Hubei)

机构地区：[1]武汉理工大学,湖北武汉430070

出　　处：《设计艺术研究》2024年第4期83-87,共5页Design Research

摘　　要：造型风格是动画艺术创作的重要组成部分,其受到了时代、民族、文化等多方面因素的影响。从海因里希·沃尔夫林的艺术风格学视域出发,以形式分析方法论为理论依据,对中日同时代且具有代表性的动画艺术造型风格进行研究分析,探讨不同动画风格的发展脉络和蕴含其中的文化与民族特征,探索适合中国传统动画发展的新形式。这对于动画理论研究范围的拓展和当代中国传统动画的复兴寓意深远,对于我国当下的动画产业发展之路也有着重要的意义。Modeling style is an important part of animation art creation,which is influenced by many factors such as the time,nation,and culture.From the perspective of art style proposed by Heinrich Wolflin the paper takes the formal analysis methodology as the theoretical basis to study and analyze the representative animation art modeling styles of Chinese and Japanese animations,and discusses the development of different animation styles and the cultural and national characteristics contained in them.The paper explores new forms suitable for the development of traditional Chinese animation,which has far-reaching implications for the expansion of the research scope of animation theory and the revival of contemporary Chinese traditional animation.It is also of great significance and necessity for the development of China's animation industry.

关 键 词：中国传统动画 鸟山明 艺术风格学 形式分析 

分 类 号：J5[艺术—艺术设计]