良渚图徽及“太阳神”刻绘符号研究  

On the Graphic Emblem of Liangzhu Culture and the Engraved and Painted Symbol of Sun God

作　　者：刘瑾怡 LIU Jinyi(Nanjing University of The Arts,210000 Nanjing Jiangsu)

机构地区：[1]南京艺术学院,江苏南京210000

出　　处：《设计艺术研究》2024年第4期128-132,共5页Design Research

基　　金：2022年江苏省研究生科研与实践创新计划项目(KYCX22-2287)。

摘　　要：良渚文化觋兽图徽不仅本身是“太阳神”符号的载体,而且衍生出多种的器物和纹样。在考古学、文献学的基础上,以刻绘符号为线索对“太阳神”图案进行探讨。从极具艺术特性的觋兽图徽到内容意义独立的“昊”字符号,“太阳神”图案从“象”发展到“像”,不仅表现了“神―器―巫”图案互动模式从单线联系发展为的循环相连,还意味着符号的象征形态从不自觉进入到崇高。Wizardry animal graphic emblem in Liangzhu Culture is not only a carrier of the symbol of Sun God,but has also generated various artifacts and patterns.On the basis of archaeology and philology,the paper explores the pattern of Sun God using engraved and painted symbols as a clue.The discovery that from the highly artistic graphic emblem to the independent symbol of the“Hao”character-from“image”to“symbol”-not only demonstrates the development of the interactive mode of the“god-tool-wizard”pattern from a single line connection to a circular connection,but also implies that the symbolization has developed from unconsciousness to sublime.

关 键 词：太阳神 图徽 刻绘符号 象征 良渚 

分 类 号：J5[艺术—艺术设计]