海洋文学话语场的理论建构——兼及海南海岛写作的文体价值  

Theoretical Construction of the Discourse Field in Marine Literature:On the Stylistic Value of Writing on Hainan Island

作　　者：许亚龙 XU Yalong(School of Literature,Hainan Normal University,Haikou 571158,China)

机构地区：[1]海南师范大学文学院,海南海口571158

出　　处：《南海学刊》2024年第5期128-136,共9页The Journal of South China Sea Studies

基　　金：海南省哲学社会科学规划课题[HNSK(QN)23-108];海南省哲学社会科学规划课题[HNSK(YB)22-99]。

摘　　要：海洋文学话语场是在历时性上重新发现海洋文学书写中岛屿、历史以及“人-海”关系想象空间的理论建构。它包含两个方面:一是海洋意象的人学感知;二是海权观念的民族国家认同。“海岛写作”,作为最狭义的海洋文学内核,是指以海洋岛屿环境为基本的抒情与叙事本体,表现海岛历史文化变迁和岛民生存处境的文学作品。海岛写作存在“向陆”“向人”“向海”三种文学向度,需要处理不同的主体面相,在历史书写和人学表现方面建构起海洋文学的主体性,探寻新的意义图景。海南海岛写作较有影响力的地方史传《海南岛传》、小说《岛》、口述史《风从南洋来》,体现出各自的文学主体性,极具代表性地显示了海岛写作独特的文学文体学价值。The discourse field of marine literature is a theoretical construction that rediscovers the imaginary space of islands,history,and the"human-sea"relationship in the writing of marine literature in a diachronic manner.It includes two aspects:first,the humanistic perception of marine imagery;The second is the national identty of the concept of sea power.The"Island writing",as the narrowest core of marine literature,refers to literary works that express the historical and cultural changes of islands and the living conditions of island people,based on the emotional and narrative ontology of the island environment.There are three literary directions of"landward","human"and"seaward"in island writing,which need to deal with different subjectivities,construct the marine literature in terms of historical writing and anthropological expression,and explore the new meanings.The influential local historical biography of Hainan Island Biography,the novel Island,and the oral historical record The Wind Comes from Nanyang have demonstrated the unique literary and stylistic value of island writing.

关 键 词：海洋文学 话语场 海岛写作 文体价值 

分 类 号：I206[文学—中国文学]