南宋山水画中建筑空间的构建——基于马远、夏珪作品的考察  

The Construction of Architectural Space in the Southern Song Dynasty Landscape Painting-Based on the Works of Ma Yuan and Xia Gui

作　　者：赵柘 Zhao Zhe

机构地区：[1]中国美术学院

出　　处：《美术观察》2024年第9期60-62,共3页Art Observation

摘　　要：南宋山水画注重其建筑空间的构建,反映了山水画的诗意空间追求和审美倾向。这种空间构建反映在南宋院画家群体的山水画作中。本文立足于南宋院画家代表马远、夏珪的山水画作品,以其中的宫苑园林、村舍民居以及寺观建筑为对象,分析其空间构建特点和规律,为当前城市山水画的创作提供视觉资源。The Southern Song Dynasty landscape painting emphasizes the construction of architectural space,reflecting the pursuit of poetic space and aesthetic tendencies in landscape painting.This spatial construction is reflected in the landscape paintings of the Southern Song Academy painter group.This article is based on the landscape paintings of Ma Yuan and Xia Gui,representatives of painters from the Southern Song Dynasty Academy.It takes palace gardens,village houses,and temple buildings as objects,analyzes their spatial construction characteristics and laws,and provides visual resources for the current creation of urban landscape paintings.

关 键 词：南宋 山水画 建筑空间 视觉资源 

分 类 号：K245[历史地理—历史学] J212[历史地理—中国史]