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作 者:冀枞 王怀庆[2,3,4] Ji Cong
机构地区:[1]清华大学 [2]北京画院 [3]中国国家画院 [4]中国油画学会
出 处:《美术观察》2024年第9期123-127,共5页Art Observation
摘 要:本期【时代人物】推荐艺术家王怀庆,曾用名王怀,1944年出生于北京。是北京画院国家一级画师、中国国家画院研究员、中国美术家协会会员、中国油画学会理事。他的艺术历程与作品的呈现横跨了半个世纪。在王怀庆的创作中,不仅能感受到他敏于时代变化。同时,还能从他对于视觉媒介的多元尝试中,感受到其多维艺术脉络。无论是具象的表达、抽象的设计、肖像的刻画,还是对椅子的拆解,其转换均非单纯为“形式”的产物,更多的是思考和情绪叠加,是对现实和人的思考。王怀庆的视觉表达融合多元媒介,不断删繁就简,走向当代。以创作构建具备中国传统文化命脉的当代符号、纯粹的情怀和自由的精神。从有形到无形,从进入画框到跳出画框,通过媒介和艺术语言的转换,将传统与当代结合,在对于传统文化的创新性发展和创造性转换中,王怀庆坚定地在70年从艺生涯中,“走一条路”“说一句话”“做一件事”。The recommended artist for this issue"People of the Times",Wang Huaiqing,once known as Wang Huai,was born in Beijing in 1944.He is a national-level painter of the Beijing Painting Academy,a researcher of the China National Academy of Painting,a member of the China Artists Association and a director of the China Oil Painting Society.His artistic journey and artworks span half a century.In Wang Huaiqing's creations,not only can we feel that he is sensitive to the changes of the times.At the same time,his multi-dimensional artistic vein can also be felt through his multiple attempts on visual media.Whether it is figurative expression,abstract design,portrait portrayal,or the dismantling of a chair,the transformation is not simply a product of"form",but more of a reflection and emotional superimposition on reality and people.Wang Huaiqing's visual expression integrates multiple mediums,constantly simplifies and simplifies,and moves towards the contemporary.He uses artistic creation to construct contemporary symbols,pure emotions and free spirits that characterise the lifeblood of traditional Chinese culture.From the tangible to the intangible,from entering the picture frame to stepping out of the picture frame,through the transformation of media and artistic language,combining tradition with contemporary times,and in the innovative development and creative transformation of civilisation,Wang Huaiqing has been determined to"walk one way""say a word""do one thing",in his seventy-year career in the arts.
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