试论秦安大地湾地画的考古背景  

Preliminary Discussion of the Archaeological Context of the Floor Painting at Dadiwan in Qin'an

作　　者：郭志委[1] Guo Zhiwei

机构地区：[1]中国社会科学院考古研究所,北京市100101

出　　处：《考古》2024年第8期93-105,共13页Archaeology

基　　金：中国社会科学院考古研究所创新工程项目“洮河流域史前聚落发掘与研究”(项目编号2024KGYJ002)的资助。

摘　　要：对考古出土图像类材料的解读是考古学研究的重要内容之一。在这类研究中,史前时期的图像研究相对特殊,面临的困难包括缺乏对当时社会的清晰认识、缺少同时期文献的支持等。因此,对于史前时期图像研究而言,考古背景是重要基础。目前已有的图像研究多重视分析图像本身,对其考古背景关注不够。有鉴于此,本文拟从秦安大地湾遗址出土地画的考古背景着眼,对其特点、性质、内涵等问题进行探讨。This study suggests that the house(F411)where the Dadiwan floor painting in Qin'an was found was an ordinary dwelling used for daily production and living activities rather than a specialized religious or ceremonial space.This argument is supported through analysis of settlement location,architectural forms,interior facilities,use traces,unearthed artifacts,and the house's abandonment process,alongside investigation of the location,scale,pigment application,technical level,preservation conditions,and the frequency with which floor painting is discovered.This paper also conducts comparative study with significant prehistoric ritual sites such as the"Goddess Temple"of the Hongshan culture at Niuheliang and the altar of the Liangzhu culture at Yaoshan.The Dadiwan floor painting was likely created by regular members of the settlement,representing some scenes from daily life.Its creation,preservation,and discovery appear to be incidental,without any special or sacred status.

关 键 词：甘肃秦安县 大地湾地画 考古背景 图像研究 

分 类 号：K87[历史地理—考古学及博物馆学]