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作 者:杨四平 Yang Siping(School of Chinese Studies and Exchange,Shanghai International Studies University,Shanghai 200083)
机构地区:[1]上海外国语大学国际文化交流学院,上海200083
出 处:《华中师范大学学报(人文社会科学版)》2024年第5期107-115,共9页Journal of Central China Normal University:Humanities and Social Sciences
基 金:国家社会科学基金一般项目“现代汉诗的叙事形态研究”(15BZW123)。
摘 要:有没有建构现代性主体,是区分新诗与旧诗的要件。百年来的中国新诗建构了形态各异和内涵丰富的现代性抒情主体与叙述主体,彰显了新诗成就。在中国新诗主体建构谱系中,昌耀新诗建构的是具有主体间性和强力意志的叙述主体,而非通常意义上的抒情主体。它们主要是通过“受祭”和“施祭”的“祭祀”方式建构起来的,具有超人般的强力意志,时而以“我”的形象直接现身,时而隐身于“非我”并使之代为发声。与此同时,它们又是通过辨识度极高的、冥想性的、糅合的、史诗性的和青铜色的“昌耀体”得以完成和呈现的。尽管存在诸如“刻奇”之类的不足,但昌耀新诗的强力意志叙述主体与“昌耀体”互为动力、相互塑造、彼此成全,具有充盈的现代性和卓杰的独创性。The construction of a modernist subject is a crucial factor in distinguishing the new poetry from old poetry.Over the past century,Chinese new poetry has constructed modern lyrical and narrative subjects with diverse forms and rich connotations,highlighting the achievements of the new poetry.In the genealogy of subject construction of Chinese new poetry,Chang Yao’s new poems construct a narrative subject with intersubjectivity and strong will rather than a lyric subject in the usual sense.They are mainly constructed through the“sacrificial”methods of“receiving sacrifices”and“giving sacrifices”,with a superhuman strong will,sometimes appearing directly in the image of“I”,and sometimes hiding in the“non-I”and making it speak on behalf of them.At the same time,they are achieved and presented through highly recognizable,meditative,mixed,epic and bronze colored“Chang Yao Style”.Although there are some shortcomings such as“Kitsch”,the narrative subject of strong will of Chang Yao’s new poems and“Chang Yao Style”are mutually motivated,shaped and complemented with full modernity and outstanding originality.
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