18世纪洛可可艺术影响下的广彩瓷装饰特点——以“满大人”纹饰为例  

The Decorative Features of Guangcai Porcelain under the Influence of Rococo Art in the 18th Century:Take the"Mandarin"Decoration as an Example

作　　者：钟启慧 

机构地区：[1]景德镇陶瓷大学

出　　处：《中国陶瓷工业》2024年第4期34-38,共5页China Ceramic Industry

摘　　要：18世纪正处于中西方贸易文化交融的繁盛之际,广彩瓷在此时承担着中外文化交流的重任。为满足西方市场对瓷器的需求以及西方人对中国的追崇,以中国上流社会生活为缩影的广彩“满大人”纹样应运而生,它兼具时代特性与艺术性,散发着独特的文化魅力。通过对“满大人纹饰”的特点进行分析可知:“来样定制”的生产模式下,广彩瓷深受欧洲洛可可风格的影响,其制作融合了中西方技术、文化、审美,使得广彩瓷呈现出西化的艺术面貌。In the 18th century,when the trade culture of China and the West was flourishing,Guangcai porcelain took on the important task of cultural exchange between China and foreign countries.In order to meet the demand of the western market for porcelain and the pursuit of China by Westerners,the Canton color"Mandarin"pattern,which epitomizes the life of the Chinese upper class,came into being.It has both the characteristics of the Times and the artistry,and exudes a unique cultural charm.Through the analysis of the characteristics of"Mandarin Decoration",it can be seen that under the production mode of"custom sample",Guangcai porcelain is deeply influenced by the European Rococo style,and its production integrates Chinese and Western technology,culture and,aesthetics,making Guangcai porcelain present a westernized artistic appearance.

关 键 词：广彩瓷 洛可可艺术 满大人 装饰特点 中西文化 

分 类 号：J527[艺术—艺术设计] G125[文化科学] K249[历史地理—历史学]