象纹在明清瓷器上的蕴意  

The Implications of Elephant Patterns on Porcelains of the Ming and Qing Dynasties

作　　者：方婷婷 王珍妮 

机构地区：[1]景德镇御窑博物院 [2]景德镇陶瓷大学

出　　处：《中国陶瓷工业》2024年第4期87-90,共4页China Ceramic Industry

摘　　要：在明清官窑瓷器中,以大象为题材的装饰风格常见,它既体现了当时社会的审美观念和文化风尚,也反映了当时社会对力量和独立精神的崇尚。大象被佛教视为圣物,具有至高的力量和智慧,形成了蕴意广泛的文化意象,这种文化意象也是人们对美好生活的向往与追求。仪象的出现,展示至高无上的皇权,反映了中国古代社会政治文化特点。Imperial Kiln porcelains of the Ming and Qing Dynasties,the decoration style of elephants'theme was common,which not only reflected the aesthetic concept and cultural fashion of the society during the period,but also reflected the social advocacy of strength and independent spirit.With supreme power and wisdom,elephants were regarded as sacred objects in Buddhism,forming a widely implicated cultural image.This image was also people's yearning and pursuit for a better life.The appearance of ritual elephants demonstrated the supreme imperial power and reflected the characteristics of ancient Chinese social politics and culture.

关 键 词：大象 明清官窑 瓷器 仪象 

分 类 号：K876.3[历史地理—考古学及博物馆学] K248[历史地理—历史学] J527[艺术—艺术设计] B948[哲学宗教—宗教学]