论曹禺经典话剧的意象构成  

On the Image Formation of Classic Plays of Cao Yu

作　　者：葛胜君 付洪蕊 GE Shengjun;FU Hongrui(Tonghua Normal University,Tonghua 134002,China)

机构地区：[1]通化师范学院文学院 [2]通化师范学院,吉林通化134002

出　　处：《通化师范学院学报》2024年第9期113-121,共9页Journal of Tonghua Normal University

摘　　要：作为中国话剧的翘楚,曹禺凭借《雷雨》《日出》《原野》《北京人》《家》等经典剧作让人望尘莫及。爬梳曹禺经典剧作,其中的诗意一直是学界研究的热点,而与其直接相关的意象研究同样不容忽视。如果可以对曹禺经典话剧作出宇宙意象、自然意象、人文意象的界说给予纵横,那么,爬梳曹禺经典话剧的象征、暗示、隐喻、渲染、对立统一、简义串联、复义叠加等意象构成的艺术技巧,似乎可以更好地认知曹禺对于生命的理解和对身边世界的体悟,也能更有效地领会曹禺经典话剧别具一格的艺术魅力。Cao Yu is one of China's leading playwrights,with classics such as Thunderstorm,Sunrise,Field,Peking Man and Home.The poetry in Cao Yu's classic plays has been the focus of academic research,and the image research directly related to it should not be ignored.If we can give the definition of universal image,natural image and human image to Cao Yu's classical plays,then,studying the artistic techniques of symbols,hints,metaphors,renderings,unity of opposites,concatenation of simple meanings and superposition of double meanings in classic plays of Cao Yu seems to be helpful to better understand Cao Yu's understanding of fate and the world around him,and can also understand the unique artistic charm of classic plays of Cao Yu more effectively.

关 键 词：曹禺 经典话剧 意象 构成 

分 类 号：I207.34[文学—中国文学]