仪式观视阈下佤族木鼓文化传承模式构建  

Construction of the Inheritance Model of Wa Wooden Drum Culture from the Perspective of Ritual View

作　　者：马立己 赵卫华 MA Liji;ZHAO Weihua(School of Foreign Studies,Dean of Academic Affairs,West Yunnan University Lincang 677000,Yunnan,China)

机构地区：[1]滇西科技师范学院外国语学院 [2]滇西科技师范学院校务处,云南临沧677000

出　　处：《普洱学院学报》2024年第4期45-50,共6页Journal of Pu'er University

基　　金：云南省哲学社会科学规划项目“滇西民族地区汉语变异研究”(项目编号:ZD202012);临沧市哲学社会科学联合会委托项目:“铸牢中华民族共同体意识下《司岗里》文化传承和时代价值研究”。

摘　　要：木鼓承载了佤族的文化符号,木鼓文化是佤族文化的重要组成部分。借鉴传播仪式观,以木鼓文化为研究对象,指出木鼓舞呈现的语言、行为、舞台仪式符号内容,阐释其中所体现的佤族文化仪式隐喻与核心内涵。木鼓文化在新时代传播需要创新传播形式、拓展传播场域、激发受众参与,推动木鼓文化在新时代的创新与发展,构建民族认同和国家认同。The wooden drum carries the cultural symbols of the Wa ethnic group,and wooden drum culture is an important part of Wa culture.Drawing on the perspective of a ritual view of communication,this article takes wooden drum culture as the research object,pointing out the linguistic,behavioral,and symbolic contents of the ritual stage presented by wooden drum dance,and elucidating the cultural ritual metaphors and core connotations embodied therein.In the new era,innovative forms of communication,expanded communication fields,and stimulated audience participation are needed to promote the innovation and development of wooden drum culture,thus constructing Wa ethnic identity and national identity.

关 键 词：仪式观 木鼓 传播 佤族 

分 类 号：K892.2[历史地理—民俗学] J607.3[历史地理—历史学]