当代中国动画电影空间中文化记忆的呈现  

The Presentation of Cultural Memory in Contemporary Chinese Animation Movie Space

作　　者：沈妙 王贤波 SHEN Miao;WANG Xianbo(Jinling Institute of Technology,Nanjing 211169,China)

机构地区：[1]金陵科技学院动漫学院,江苏南京211169

出　　处：《金陵科技学院学报（社会科学版）》2024年第3期85-92,共8页Journal of Jinling Institute of Technology(Social Sciences Edition)

基　　金：金陵科技学院数字娱乐产品开发虚拟创客班阶段性成果。

摘　　要：文化记忆需要特定的空间来呈现。具备视觉再现、符号孕育和叙事功能的动画电影空间,可以跨越时空,成为文化记忆的场所。借鉴扬·阿斯曼的文化记忆理论,探讨当代中国动画电影空间中文化记忆呈现的实践逻辑——物理空间的视觉隐喻、想象空间的多维互文和叙事空间的审美移情,揭示在后现代语境下,文化记忆表达对强化民族身份认同的重要作用。Cultural memory requires a specific space to be presented.An animation movie space with visual representation,symbolic conception,and narrative functions has the potential to transcend time and serve as a repository of cultural memory.Drawing on Ian Asmann s theory of cultural memory,this paper explores the practical logic of cultural memory presentation in Chinese contemporary animation movie space—visual metaphor in the physical space,multidimensional intertextuality in the imaginative space,and aesthetic empathy in the narrative space—revealing the critical role of cultural memory expression in strengthening national identity recognition in the context of postmodern.

关 键 词：动画电影 文化记忆 物理空间 想象空间 叙事空间 

分 类 号：J954[艺术—电影电视艺术]