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作 者:蔡淑娟[1] 付绮齐 王奕然 孟刚 CAI Shujuan;FU Qiqi;WANG Yiran;MENG Gang(Nanjing University of the Arts,Nanjing 210013,China;School of Design,Jiangsu Open University,Nanjing 210036,China)
机构地区:[1]南京艺术学院,南京210013 [2]江苏开放大学设计学院,南京210036
出 处:《包装工程》2024年第18期459-466,共8页Packaging Engineering
基 金:2023国家社科基金艺术学重点项目(23AG016)。
摘 要:目的通过对早期中国手工艺存在的意义与智创时代下的手工艺发展现实的梳理,以手工艺延绵至今“变在”内涵品格的确认,提出智创型手工艺发展聚焦重点与核心要旨。方法构建了中国手工艺从乡土观向智创观进化的“变在”方法论,包括因技而变,重新打量传统工艺对技术的态度,回应手工艺原本存在价值;因用而在,构建日用实践格局,实现智创型工艺共享;共在生境,营造人文关系共在共处的境域,提供整体观立场与会通性视角。结论跳出二元对立观念束缚,提供“历史性连接”“智识性内涵”两个手工艺系统下“变在”的基本理论,解释手工艺能够长存而不被外力所解构的内在动力与本质特征。Through sorting out the significance of the existence of early Chinese handicrafts and the reality of handi-craft development in the era of intellectual creation,and recognizing the connotation of handicrafts as"Change Exists"character,the work aims to put forward the focus and core objectives of the development of intellectual creative handi-crafts.The methodology of"Change Exists"for the evolution of Chinese handicrafts from the vernacular view to the in-tellectual creation view was constructed,including"Change"due to technology,for remeasuring the attitude of traditional handicrafts towards technology and responding to the original existential value of handicrafts,"Existence"due to use,for constructing the pattern of daily practice and realizing the sharing of intellectual creative handicrafts and"Coexistence"in the habitat,for creating a realm of coexistence in humanistic relations and providing a holistic stance and a generalized perspective.Jumping out of the boundaries of dichotomy and providing two basic theories of"Change Exists"under two handicraft systems of"historical connection"and"intellectual connotation",the study explains the intrinsic motivation and essential characteristics that enable handicrafts to survive and not be deconstructed by external forces.
分 类 号:TB482[一般工业技术—包装工程] J528[艺术—艺术设计]
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