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作 者:杨倩 YANG Qian(School of Dance,Shandong Youth University of Political Science,Jinan Shandon 250103,China)
出 处:《山东青年政治学院学报》2024年第5期8-14,共7页Journal of Shandong Youth University of Political Science
基 金:山东省本科教学改革研究重点项目“红色文化融入高校舞蹈专业的创新与研究”(Z2023127);山东省社科规划研究项目“山东舞剧研究(1976—2019)”(20BWYJ04)。
摘 要:注重地域特征是当前舞剧创作的一大特点。近年来,山东高校、院团等机构扎根齐鲁大地,创作出了一批以山东三大秧歌为主要舞蹈语言,塑山东人、演山东事,注重表现山东地域的人文风物,具有鲜明地域文化特征的优秀作品,引起了艺术界广泛的关注。因此,将山东舞剧置于从“强调地方特色”到“地域舞剧”的宏观背景下,以空间性、历史性和文化性为出发点,对其在题材选择、创作手法运用、民俗符号呈现等层面的地域性表达进行观照,同时对如何提升舞蹈在齐鲁文化语境中的价值进行探讨.无疑是具有现实意义的。Focusing on regional characteristics is a prominent feature of contemporary dance drama creation.In recent years,universities,troupes,and other institutions in Shandong,deeply rooted in the land of Qilu,have produced a series of outstanding works.These works use the three major Yangge styles as their primary dance language,depicting Shandong people and events while emphasizing the regional cultural and humanistic features of Shandong.This has garnered significant attention in the art world.This study situates Shandong dance drama within the broader context of shifting from“emphasizing local characteristics”to“regional dance drama”.It examines the regional expressions in terms of subject matter selection,creative techniques,and the presentation of folk symbols from the perspectives of spatiality,history,and culture.Furthermore,it explores how to enhance the value of dance within the Qilu cultural context.These theoretical reflections and discussions are undoubtedly of practical significance.
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