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作 者:李唐 Li Tang
机构地区:[1]哈尔滨师范大学国际教育学院,黑龙江哈尔滨150080
出 处:《中州学刊》2024年第9期151-159,共9页Academic Journal of Zhongzhou
基 金:黑龙江省艺术科学规划课题项目“北宋中期诗坛研究”(2016C022)。
摘 要:王安石晚期作品特别是绝句,在艺术表现和审美风格上最为成熟,以其独特的艺术风貌被称为“王荆公体”。这些作品奠定了宋调的基本特征,又与苏、黄诗有着不同的风貌。当苏、黄等人正将宋调特征推向极致的时候,王诗晚期绝句却在呈现宋调特征的同时表现出向唐诗复归的倾向。“王荆公体”的独特风貌主要表现为精丽圆熟、生新工巧的语言特征,秀丽密集、轻灵明快的意象特征,清新淡远、空灵明净的意境特征,含蓄蕴藉、深婉曲折的风格特征。Wang Anshi’s late works,especially quatrains,presented the most mature feature in terms of artistic expression and aesthetic style.Those works with the unique artistic style,were known as“Wang Jinggong Style”.They not only established the basic characteristics of Song Diao,but also differed in style from the poetry of Su Shi and Huang Tingjian.While Su and Huang were pushing the characteristics of Song Diao to the extreme,Wang’s late quatrains showed a tendency to return to the style of Tang poetry while still displaying the characteristics of Song Diao.The unique characteristics of“Wang Jinggong Style”were mainly manifested in the following ways:exquisite and mature,ingenious and lively language features;beautiful and dense,light and nimble imagery features;fresh and distant,ethereal and clear artistic conception features;reserved and subtle,deep and convoluted style features.
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