从汉画长袖盘鼓舞的性别形象构成说开  

An Analysis of Long-sleeved Drum Dance in Han Paintings from the Construction of Gender Image

作　　者：刘建[1] 张子怡 LIU Jian;ZHANG Ziyi(Department of Dance,Beijing Dance Academy,Beijing 100081,China;Xinjiang Arts University,Urumqi,Xinjiang 830000,China)

机构地区：[1]北京舞蹈学院舞蹈学系,北京100081 [2]新疆艺术学院,新疆乌鲁木齐830000

出　　处：《贵州大学学报（艺术版）》2024年第5期113-124,共12页Journal of Guizhou University Art Edition

摘　　要：在汉画舞蹈中,服饰与非乐悬组合的道具舞有多种,其中长袖盘鼓舞占据了最大份额,也最具代表性。在长袖与盘鼓组合道具舞中,我们可以按男女性别形象划分出女、男、男女;其次再按表演形式划分出独舞、双人舞、三人舞、群舞。所有表演的人物、主题、结构、模态、技术和风格均可由此流出。这里的长袖包括长袖之接袖、长袖套袖之长袖、广袖套袖之长袖等,它们对盘鼓的“遮天盖地”恰好成为一个倒三角形,形成对脚下盘鼓的压制,借以脱离地球引力,振翅高飞。There are numerous combinations of costume and non-musical props depicted in Han paintings,and among them,the long-sleeved drum dance accounts for the largest share and is the most representative one.In the dance performance combined with long sleeves and drumming props,we can initially divide the performers into female,male,and mixed genders based on their gender roles;then,we can categorize them further according to the forms of the performance,such as solo dances,duets,trios,and group dances.All performances,themes,structures,modes,techniques,and styles can be classified based on this categorization.Long sleeves include those with seamed sleeves,sleeve-coverings and wide sleeves,which form an inverted triangle precisely to create a"sheltering canopy"over the drum sets,from which dancers can break away the gravitational pull and jump high by exerting pressure onto them.

关 键 词：汉画长袖盘鼓舞 形象 形式 技术 风格 主题 

分 类 号：J721[艺术—舞蹈]